I have been thinking about what makes a quality transformative arts teacher. I would like to ask any viewer to comment and add to the following:
Three values that I would like my students to walk away with at the end of the year:
1. Their whole body, mind and spirit is valuable and can be a source of inspiration and strength in all of their endeavors.
2. Art should be fun! Play, experiment and create any time you feel like it. Sing, dance, make a mess and enjoy life.
3. Focusing and working on anything you want will give you results. It is important to choose something positive to work towards to have a happy life.
ok, one more
4. Art is a window to the human spirit. They can learn about themselves and the world by creating and viewing art.
What values should a transformative arts educator live or teach by? Feel free to comment or send a full post in response.
TRANSFORMATIVE ARTS RESOURCE
Tuesday, September 17, 2024
Saturday, October 19, 2013
Values of Growth Spiral
I decided to identify a series of classroom values that are more personal to me serve to unify the art lessons with meaningful concepts. Cat identified these values as contributing to growth or wholeness. I modified the Studio Habits of Mind to create the Values of Growth Spiral:
Values of Growth Spiral
Designed by José D. García
Trust
To have confidence in yourself and in others
To trust the art process
To have faith in the human spirit, the universe or anything that makes you feel peaceful
Honoring
To believe in the worthiness of yourself and value those around you respect the work done by yourself and others
To practice gratitude
To respect the work done by yourself and others
To practice self-compassion (don't be too hard on yourself)
Discovery
To learn about yourself and discover your world
To learn tools and techniques to make art
To learn how and why people make or made art within society
Joy
To explore playfully and find joy in creating
Expression
To convey ideas, feelings or personal meaning through art
To communicate with others effectively
Creativity
To create options and make choices by taking action
To imagine what may not be right in front of you and imagine possibilities
To really SEE what may normally be overlooked
Dedication
To develop focus and a work ethic
To accomplish a goal and practice perseveranceReflection
To question and explain your art process
To evaluate and make judgments about your art and any art you see
Saturday, June 15, 2013
Art Break Day by Art is Moving
Magical Moments & Memories
As this year's Art Break Day fundraiser enters its final week we would like to take the opportunity to share some of our favorite moments and memories.
Because there are a zillion magical and treasured moments created each ART Break Day it's really hard to pin one down as a favorite. I am so grateful to be part of such an empowering and altruistic movement.
ART truly does transform.
One aspect I love is the diversity of spirits the saddle up to our free art making tables. Literally, people of all ages who come from all walks of life sit down together and connect through the creative process of making ART together. For me, as a witness, participant, and facilitator this is the real magic that Art Break Day brings to each community. People who would otherwise never even look or smile at each other on the street actually sit down together, talk about art, and connect. I love when I see a grandmother sitting next to a homeless person, who sits next to hipster, who is sitting next to a lawyer, who is sitting next to a toddler, who is sitting next to a police officer, who is sitting next to a street urchin...the list goes on and on.
The consistent reality of Art Break Day is that when people sit down and create together all boundaries dissolve. You can feel the peace between people as they get to just be for a moment in time. This, to me, is the bliss of ART Break Day and one of the core reasons I do this with my heART and soul. Giving people the opportunity to embrace and be empowered by their own freedom of expression is my service as an artist to the world.
Join us at one of our 14 sites and taste the experience for yourself. It is palpable!
Namaste,
-Lisa Rasmussen (Co-Founding Director of Art is Moving)
**************
There's still time to fund this year's Art Break Day and create a positive impact in 14 locations across the world!
Contribute today by visiting our campaign page here:http://igg.me/at/ artbreakday
And, please share our campaign -http://igg.me/at/ artbreakday - via email, facebook, and twitter
Thank you for supporting our grand vision to make art accessible to absolutely everyone!
*************
My Five Favorite Things about Art Break Day
List compiled by Lauren Odell Usher (Co-Founding Director of Art is Moving)
1. Connecting communities through art. For the last 2 years I have been co-leading the San Francisco Art Site with Lisa. Not only do I watch strangers become friends across our art site tables, but I get updates through out the day from all of our other sites. I love the feeling that on Art Break Day communities across the globe come together to stand up for art. To show the world that art creates a positive impact in individuals and communities and should be a part of every person's life.
2. Art is for Everyone. At the same table, at the same time, we get to watch people from all generations create art. From baby boomers to gen Yers, all are welcome to take an art break with us. What's really great is when an entire family sits down, takes a break, and makes art together.
3. The No-Judgement Zone. A woman wandered over and asked what we were doing. When she found out we were letting people make art for free she got a bit shy and began judging herself saying, "Oh, I can't do that, I'm no good at art." After a bit of encouragement and one of Lisa's Kitty Bliss drawings as inspiration, this wonderful woman created her own version of a cat drawing. It is one of my favorite pieces of art we collected. She stood proudly by it as we photographed her and walked a little bit taller as she waved good-bye.
4. Everyone needs an art break. We hope that one day an "art break" will be just as common as a coffee break. I love when I see folks taking a break from work to sit down at our art tables. We've had police officers, food industry workers, accountants, and more join us for an art break. It's so fun to watch what making art in the middle of their day does to their mood.
5. Art can be anything. My mom volunteers and helps during Art Break Day each year. Last year I overheard her say to someone, "Give it a try, art can be anything." And, it can. We've had someone sit down and paint his skateboard and another someone take liberties with our Art Break Day banner. I love watching the creativity unfold at our art tables.
****
Copyright © 2013 Art is Moving, All rights reserved.
Our mailing address is:
Art is Moving
630 58th Street
Oakland, CA 94609
I encourage anyone to support this great project and perhaps use it to inspire your own community work. -Sonia
Sunday, June 2, 2013
Manipura- Third Chakra lesson plan
I demonstrated this lesson to two classes of high school students in the Bay Area. They responded excellently. I had to be very brief 35-40 minutes including drawing time. This lesson can be expanded and used as a brainstorming session for a larger project. It can also work as a part of other lessons using the other chakras.
Manipura, 3rd Chakra Lesson
plan
· Objectives of the class. Students will be able
to:
o
Understand what their third chakra is according
to the Hindu philosophy
o
Demonstrate exercises that represent the chakra
o
Learn about artists working with memory, and
body energy
o
Create a drawing based on their experience of
the class (Draw body pose, laughter memory or image describing energy in the
body)
· Content standards (VPA California)
o
5.2
Create a work of art that communicates a cross-cultural or universal theme
taken from literature or history.
o
2.5
Use innovative visual metaphors in creating works of art.
Introduction
· I have found that a great
way to get inspiration for art-making comes from getting to know yourself and
who you are.
· Today we are going to make some art, do body
exercises, meditate and focus on one area of our bodies. As we go through
this you want to pull and images that come to mind to use for you artwork later in the class.
Introduction
meditation
· Relax. Close your eyes (optional). Focus on your
breath filling your lungs and bringing you warm or refreshing energy.
· Imagine breathing in the energy from sky and letting it
run through your body. (Alternate with pulling from the earth)
*Pass out flyers with images
Energy and the Manipura
The idea of energy flowing through your body has
been around for a long time. Many cultures understand this and represented it
in several ways. In Chinese medicine, it is known as Qi. It has been used to heal
using Qigong and acupuncture. In my own culture a Curandera, is responsible for rubbing illnesses out of people
through massage.
· The chakra system originated from India around
1500-500 BC. It represented the complex paths and intersections that the body’s
energy traveled through.
· Chakra means wheel, so if you can think of these
as places where energy gathers and swirls moving throughout your body. Each
chakra is a place where energy gathers to perform its role.
· Today we will work on the 3rd chakra.
It is the yellow one (refer to handout).
o
The Manipura is commonly known as the Solar
plexus. Like the sun its color is yellow. It deals with issues of
willpower, ambition and action and is weakened by all forms of shame,
embarrassment and self-consciousness. Physically, it supports your liver,
pancreas, gallbladder, stomach and spleen.
· How can you tell if you need to work on your chakra: Inbalance/
Balance:
o Do you see yourself as powerless or too powerful OR Peaceful strength that is not too dominant or submissive
o Do you have lots of different ways of shaming
yourself OR are you Confient even if you make mistakes
o Do you see the future as full of danger OR do you see future full of life, hope and that your
dreams can come true
o Do you are generally highly stressed and often comment to
others how stressed and busy you are as a badge of honor. Or do you work
towards growth and are future focused.
Ask students: Does anyone relate to these and want to share?
3rd Chakra Exercises
· We are going to do another meditation and some exercises to have
you feel your third chakra. These you can do with eyes open
o
Breath into your body as we did for the first
meditation. Breath into your stomach letting it expand but
still stay relaxed. Deep breath into stomach letting that whole area expand,
back sides and front
o
Imagine you just had a delicious meal and your
stomach is satisfied and full. Put your hands on your belly and rub your full
stomach. Rub it really well with both hands.
o
Now I want you to think of your family, think of a funny memory. When was the last time you laughed so hard juice
came out of your nose, or that time your friend farted in class or whatever you
can think of. *This may not get responses from strangers, only try with a more familiar group.
o Laugh out loud in any silly way you can think of. How does Santa laugh or Minnie Mouse.
Washing machine: Have students stand up, reach up up and out with their arms like a star. Have them swing their arms side to side twisting their belly area.
· Power pose, sitting or standing, what pose makes
you feel powerful (not dominating). Imagine that you are the principal or CEO of your company. (Demonstrate some poses where you are expanded)
Alex Grey
· Before we start our drawing activity I want you
to flip to the back of the hand out and take a look at the art of Alex Grey.
· He makes art that connects people to their
energy and the natural energies around them. His work is very large scale and
often life size.
· He studied anatomy and actually dissected
cadavers at Harvard Medical Center to gain a deep understanding of the body.
· In the first piece Painting, it shows how an
artist gains inspiration through a higher spiritual connection. He also created
and experiences art with his senses and his heart. As a result the artwork this
is hidden is radiant with its own energy.
· In the other painting Theologue shows how the
chakras are aligned during meditation.
Drawing
Tell students:
Under the artwork you can see some samples of art that can help balance the 3rd Chakra.
The first uses yellow, the fiery warmth represents the energy of the chakra. The woman is also standing in a clam but strong pose.
The second can be interpreted to describe the sensations of energy in the body.
The third has a large sun and positive encouraging messages.
The last one has positive words as well and images of what the artist enjoys doing.
You can use all these as ideas to create drawing to balance your third chakra. It can be a drawing of what brings you joy, what makes you feel confident, it can be abstract and you can even write on the drawing.
Have them begin their drawings. they can share with a partner and then have some share with the class.
----let me know if you want copies of the handouts, or if you have any questions. Thanks!
Tuesday, March 26, 2013
Paint Over Collage
By Roseanne Fox
This is good for all ages and abilities. It can be as simple or as intricate as the artist wants.
Supply list
magazines-pick a face you want to work with
colored paper
glue sick or other glue that's good for paper
acrylic paints- flesh color and other colors
scissors or exacto knife
something to cut on
brushes
oil based paint pens (optional)
colored pencils
regular ball point pens-black and blue
plain paper to glue your collage on to
Pick your collage elements
Cut out your collage elements and glue them to the plain paper in any way that you like. Often when I am glueing my elements down to the paper, a story starts to emerge from the pieces. But don't worry if this doesn't happen. Just keep going!
Paint
Paint a thin layer of the flesh colored paint over the face
in your collage. You should still be able to see some of the features.
The paint will give you a base from which to work from to create your own face. Paint over any other elements in your collage and or your background. Don't worry if it's not looking perfect. Have fun!
Embellish and changeOnce the paint has dried you can now go over the images with the colored pencils and pens. You can also add more elements to your "story" to create the scene that you want.
colored paper
glue sick or other glue that's good for paper
acrylic paints- flesh color and other colors
scissors or exacto knife
something to cut on
brushes
oil based paint pens (optional)
colored pencils
regular ball point pens-black and blue
plain paper to glue your collage on to
Pick your collage elements
Cut out your collage elements and glue them to the plain paper in any way that you like. Often when I am glueing my elements down to the paper, a story starts to emerge from the pieces. But don't worry if this doesn't happen. Just keep going!
Paint
Paint a thin layer of the flesh colored paint over the face
in your collage. You should still be able to see some of the features.
The paint will give you a base from which to work from to create your own face. Paint over any other elements in your collage and or your background. Don't worry if it's not looking perfect. Have fun!
Embellish and changeOnce the paint has dried you can now go over the images with the colored pencils and pens. You can also add more elements to your "story" to create the scene that you want.
Monday, March 25, 2013
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Monday, February 18, 2013
Amherst Writers and Artists
Amherst Writers and Artists is a resource for those looking for a method of leading writing workshops. They provide training all over the country. http://www.amherstwriters.com/
*****
The Amherst Writers & Artists' philosophy is a simple one: every person is a writer, and every writer deserves a safe environment in which to experiment, learn, and develop craft. The AWA method, which is fully described in founder Pat Schneider's book Writing Alone and With Others (Oxford University Press, 2003, and available at www.patschneider.com), provides just such an environment.
Peter Elbow, author of Writing Without Teachers, brought the writing process movement into classrooms across the U.S. In his the introduction to Writing Alone and With Others, he called Pat Schneider “the best teacher of writing I know.” The practices outlined in the book have proven effective in graduate school classrooms and in work with the homeless, in children’s schoolrooms, with nursing students, in bereavement groups and in living rooms among friends.
Unique to the AWA method, at the time of the publication of the book, are these two revolutionary practices:
-Everything in the writing workshop is treated as fiction, to minimize the personal vulnerability of the writer, and
-The teacher or leader writes with the students or participants, and reads aloud along with the other writers.
-Everything in the writing workshop is treated as fiction, to minimize the personal vulnerability of the writer, and
-The teacher or leader writes with the students or participants, and reads aloud along with the other writers.
These practices, along with keeping all writing confidential, responding to just-written work with encouragement rather than negative critique, create an environment that is non-hierarchical, honest, and safe. Accomplished and beginning writers learn from one another in a generous atmosphere of both critical craft and personal respect for the value of every voice.
*****
Elizabeth Perlmans "Recommended Reading" list.
Storycatcher by Christina Baldwin
Women Writing for (a) Change by Mary Pierce Brosmer
Writing As A Way of Healing by Louise DeSalvo
Writing Down The Bones by Natalie Goldberg
Bird By Bird by Anne Lamontt
Story by Robert McKee
The Heroine’s Journey by Maureen Murdock
Write from the Heart by Leslea Newman
The Hero Within: Six Archetypes We By, by Carol S. Pearson
Opening Up: The Healing Power of Expressing Emotions by Dr. James W. Pennebaker
Writing to Change the World by Mary Piper
If You Want to Write by Brenda Ueland
The Writer’s Journey: Mythic Structure for Storytellers & Screenwriters by Christopher Vogler
Elizabeth Perlmans "Recommended Reading" list.
Storycatcher by Christina Baldwin
Women Writing for (a) Change by Mary Pierce Brosmer
Writing As A Way of Healing by Louise DeSalvo
Writing Down The Bones by Natalie Goldberg
Bird By Bird by Anne Lamontt
Story by Robert McKee
The Heroine’s Journey by Maureen Murdock
Write from the Heart by Leslea Newman
The Hero Within: Six Archetypes We By, by Carol S. Pearson
Opening Up: The Healing Power of Expressing Emotions by Dr. James W. Pennebaker
Writing to Change the World by Mary Piper
If You Want to Write by Brenda Ueland
The Writer’s Journey: Mythic Structure for Storytellers & Screenwriters by Christopher Vogler
Elizabeth Perlman is a writer, designer, and storyteller, committed to the creative process as a catalyst for positive change. As group leader in the AWA (Amherst Writers & Artists) writing method, she has recently launched The Intuitive Writing Project, a Bay Area non-profit that facilitates creative writing workshops to empower teenage girls. You can learn more at www.intuitivewritingproject.org
Tribes Learning Communities in an Art class
I was introduced to Tribes Learning Communities as a student teacher. My first year teaching I implemented a modified version in my art classroom. I bought the book on learning communities and pulled info from there and made my own modification. It is a good resource and has a listing of activities for all ages and subjects.
Visit tribes.com for more detailed information. From the website:
Visit tribes.com for more detailed information. From the website:
***
Tribes is a step-by-step process to achieve specific learning goals. Four agreements are honored:
The learning of academic material and self-responsible behavior is assured because teachers utilize methods based upon brain-compatible learning, multiple intelligences, cooperative learning and social development research. The teachers and administrators in a Tribes school or district also work together in supportive groups. They too enjoy the participatory democratic process and creative collegiality.
At first I was worried that my teenage ninth graders would not buy into it. But I think overall there was acceptance of the system and they liked it. My IEP students especially enjoyed it.
A couple of tips I would recommend:
-Allow students to choose who is in their tribe and move students around if necessary.
-It helped to give a project in the middle of the semester to give them a break from their tribe. I had them do a group paper maché project with a new group of five.
-Change the roles of tribe members and make sure they complete their assigned duties.
-Include whole class activities as well. They all got together during lectures or meditation or visualization activities.
How It Works
Tribes is a step-by-step process to achieve specific learning goals. Four agreements are honored:
attentive listening
appreciation/no put downs
mutual respect, and
the right to pass
Students learn a set of collaborative skills so they can work well together in long-term groups (tribes). The focus is on how to:
help each other work on tasks
set goals and solve problems
monitor and assess progress
celebrate achievements.
The learning of academic material and self-responsible behavior is assured because teachers utilize methods based upon brain-compatible learning, multiple intelligences, cooperative learning and social development research. The teachers and administrators in a Tribes school or district also work together in supportive groups. They too enjoy the participatory democratic process and creative collegiality.
***
In my art room I started off the class placing students into their tribes which I named based on a color. Each tribe name was unique to those students, the included names like Alizarin, Malachite, Celadon and each had its specific color. I used the names to teach students where colors used in paint originally came from. I began the class with color theory in the Introduction to Creative Art class so this wove into the curriculum smoothly.
In the beginning I discussed with them what it meant to be in a tribe and went over the guidelines. These were modified for my class. I used tribes to manage the classroom and organize taking out supplies and cleaning up. I encouraged them to work as a team, but also assigned them roles based on where they sit at the table by letters A,B,C, or D.
Throughout the semester I included their tribe color whenever possible. I had them make a logo of their tribe name.
Had them do warm up activities like creating a mandala out of paper with their tribe color, or doing body exercises like having them make a group sculpture that was symmetrical or asymmetrical or expressed an emotion. I had them mix paint and create tints tones and shades of their tribe color. These were then cut out into shapes, strung together and hung on a class mobile to decorate the room.
Student artwork display for open house with tribe colors |
Tribe logos |
Open house display |
At first I was worried that my teenage ninth graders would not buy into it. But I think overall there was acceptance of the system and they liked it. My IEP students especially enjoyed it.
A couple of tips I would recommend:
-Allow students to choose who is in their tribe and move students around if necessary.
-It helped to give a project in the middle of the semester to give them a break from their tribe. I had them do a group paper maché project with a new group of five.
-Change the roles of tribe members and make sure they complete their assigned duties.
-Include whole class activities as well. They all got together during lectures or meditation or visualization activities.
paper group mandala |
Luckily this story has a happy ending- Cadmium Tribe |
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